Harold de Bree, Florian Heinke, Eric Manigaud, Hugh Mendes
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Private View
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Thursday February 13th 6.30-8.30pm
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Exhibition Dates
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Friday February 14th – Saturday March 22nd
2014
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Gallery Hours
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Wednesday-Saturday 11am-6pm or by appointment
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CHARLIE SMITH LONDON presents four European artists to mark the
centenary of the beginning of The Great War.
Working across mediums in installation, drawing and
painting, Harold de Bree (Netherlands), Florian Heinke (Germany), Eric
Manigaud (France) and Hugh Mendes (United Kingdom) have made new work in
response to the brief. Each artist was specifically invited by gallery
director Zavier Ellis for their ongoing investigations into world war, with
it being a dominant theme in all of their practices. Hailing from European
countries that played significant roles between 1914 and 1918, each artist
approaches the theme with profound and reflective endeavour.
Dutch artist Harold de Bree is known for making large
scale installation and sculpture that replicates military hardware and public
monuments. Playing on historical institutional tropes, de Bree poses complex questions about power, culture and nationalism. In this
exhibition de Bree will present a site specific piece that resembles a WWI
monument that might be found anywhere in Europe, but which also acts as a
border marker. With wheels attached beneath, it is possible for the monument
to move, hence commenting on the historical flux of national borders, and the
implication of mutable frontlines that are defined by the processes of war
and politics.
German
artist Florian Heinke uses black paint exclusively as a "radical
medium". His subjects are derived from traditional and digital media
sources and often combine text to create an aesthetic that suggests a polemic
poster or advertisement. Heinke’s paintings are aggressive, political and
nihilistic. This unrestrained approach is intended to provoke the audience
into an emotive reaction, much in the same way that corporate businesses and
political parties manipulate the public with powerful combinations of imagery
and slogans. Heinke’s confrontational strategy reveals a deep lying cynicism
of the modern age but also an artist who is profoundly concerned with current
socio-political issues.
French artist Eric Manigaud is renowned for his
impeccable large scale photorealist drawings. Derived from historical
sources, Manigaud’s choice of imagery is based on monumental historical
moments of the modern age. For this exhibition Manigaud has returned to his
ongoing war series, which to date has included depictions of WWI trench warfare;
WWI injured soldiers; and WWII bombed cities. Focusing on the impact of war
in his homeland, Tranchée de Calonne is
a devastating drawing over two metres wide that depicts the skeletal remains
of soldiers killed near the famous road, which was a site of ferocious
fighting during WWI and represented for some time the eastern French
front.
British artist Hugh Mendes was born on Armistice Day in a
British military hospital in Germany. His mother was a military nurse and his
father a British Intelligence code breaker. Mendes is recognized for his
paintings of newspaper pages, where he has continued to relentlessly track
and transcribe obituaries and war stories. Mendes approaches WWI with irony
and scepticism, choosing to focus on the absurd and whimsical, but with
underlying pathos. His obsessive paintings are a personal reflection on the
obsessions of the media. Sgt. Stubby,
for example, is a recreation of a photograph of WWI’s most decorated war dog,
who served 18 months in the trenches of France serving the US army. Stubby
was decorated for, amongst other things, saving injured comrades in no man’s
land, capturing German spies and detecting gas attacks.
In combination these artists will form a thought
provoking exhibition that ruminates on the meaning and effects of war.
For images and further
information please contact the gallery on direct@charliesmithlondon.com
or +44 (0)20 7739 4055
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BIOGRAPHICAL
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Name
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Harold de Bree
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Born
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1966
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Education
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1991-1995 Royal Academy of Art,
Den Hague
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Selected
Exhibitions
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2013: ‘s Gravenhaarlem, Haarlem, Nieuwe
Vide; Stealth Drones, Twente Biennale; Joan of Art, Maldives Pavilion, Venice Biennale; Collapsed Bailey Bridge, Gemeentemuseum,
Den Hague; SOS Sauna Boat; Joan of Art, Five Years Gallery, London; Am Tisch,
Schau Fenster, Berlin; 2012: Being Homonym, Uhm Collective, Den Hague; 2011: I
Should Have Done That, Nest, Den Hague; 2010: Bipolar, Plan-d, Düsseldorf ; 2008:
Manifesta 7, European Biennale of Contemporary Art; Harold de Bree &
Carol Rama, Galerie West, Den Hague; 2007: Lost Tongues Rediscovered, Stroom,
Den Hague; 2005: TYP
XVII, Gem Museum
voor actuele Kunst, Den Hague; 2004: I Work, Museum of Tampere; 2003: Entrance
A-37, Raumars Art Museum
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Collections
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Private collections throughout
Europe
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Name
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Florian Heinke
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Born
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1981
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Education
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2009: MA of Fine Arts,
Städelschule, Frankfurt am Main; 2005: Städelschule, Frankfurt am Main; 2004-2005:
Johannes Gutenberg Universität Mainz
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Solo
Exhibitions
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2010: Savee Couture, Velvet,
Frankfurt am Main; The last curs fight the bricks, Galerie Perpetuél,
Frankfurt am Main; Florian H., Moloko, Frankfurt am Main; 2009: Still my own
idol, PSM-Gallery, Berlin; Florian Heinke, bKi, Darmstadt; Apart from heaven,
Galerie La Brique, Frankfurt am Main; 2008: A fast way downstairs,
Sammlung-Lenikus, Wien; Paradise overdosed, Galerie Campagne Premiere,
Berlin; Pervers durchs Paradies, Kunstverein Familie Montez, Frankfurt am
Main
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Selected
Group Exhibitions
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2011: When Poets Die, Galerie
Anita Beckers, Frankfurt am Main; 2010: Home - EAST/WEST Project; Dam
Stuhlgarter Gallery Brooklyn, Berlin; Nobel geht die Welt zu Grunde,
Atelierfrankfurt, Frankfurt am Main; Setzen! 5!, Galerie Wolfstädter,
Frankfurt am Main; 2009: Viel vor, viel dahinter (2 Jahre Artsite.tv),
Kunstverein, Frankfurt am Main; Die Dinge des Lebens, Galerie P13,
Heidelberg; Dude, where´s my carreer?, Absolventenausstellung Städelschule ,
Zollamt MMK, Frankfurt am Main; Lob der Kritik. Ihre Meinung ist uns wichtig,
Galerie Frühsorge; 2008: Dirty Storm, Raum SOD, Frankfurt am Main; Simple
exploding men, Artnews Projects, Berlin
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Collections
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Private collections throughout
Europe
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Name
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Eric
Manigaud
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Born
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1971
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Education
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1996: Agrégation d’Arts Plastiques,
University of Fine Arts, Saint Etienne; 1993: Maîtrise d’Arts Plastiques,
University of Fine Arts, Saint Etienne
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Solo
Exhibitions
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2013: The Shadow Line, CHARLIE
SMITH london, London; Klinikum Weilmunster, Olivier Houg Galerie, Lyon;
Dreams and Ruins, Galerie d'Art Moderne, Sarajevo
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Selected
Group Exhibitions
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2013: Paper, Saatchi Gallery,
London; 2012: Saatchi Gallery & Channel 4’s New Sensations and The Future
Can Wait (curated by Zavier Ellis, Simon Rumley & Rebecca Wilson), B1,
Victoria House, London; Anthology, CHARLIE SMITH london, London; 2010: Figure
Toi!, FRAC Haute-Normandie, Rouen; Fake!, Stedelijk Museum, Alost; 2009:
L'Afrique en Noir et Blanc, Musée Senlecq, l’Isle-Adam; Fragile, Museum of
Art, Mannyun-dong Seo-gu Daejeon, Corée; 2006: 1914-1918, Musée d'Histoire du
XXème Siècle, Estivareilles; 2005, Focalise, les voies de l’optique, Musée
d’Art et d’Industrie, Saint Etienne
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Collections
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Saatchi Gallery, London; The
SØR Rusche Collection, Oelde / Berlin; FRAC Haute-Normandie, Rouen; Landesmuseen
Scloss Gottorf, Schleswig; Paul Dini Museum, Villefranche-sur-Saône; Julian
and Stephanie Grose, Adelaide; Randal J. Kirk, Virginia; private collections
in Belgium, France, United Kingdom & United States
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Name
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Hugh Mendes
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Born
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1955
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Education
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2000- 2001: MA Fine Art, City
and Guilds of London Art School; 1975-1978: BA (Hons) Fine Art, Chelsea
School of Art, London
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Solo
Exhibitions
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2013: D.OA. the Good, the Bad
and the Ugly, Gusford, Los Angeles; 2012: Obituaries, CHARLIE SMITH london,
London ; 2011: 9/10/11, KENNY SCHACHTER / ROVE, London
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Selected
Group Exhibitions
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2012: Saatchi Gallery &
Channel 4’s New Sensations and The Future Can Wait, Victoria House, London;
Polemically Small (curated by Edward Lucie-Smith), Klaipeda Culture
Communication Centre, Klaipeda; The Future Can Wait presents: Polemically
Small, Torrance Art Museum, Torrance; 2010: Press Art, Museum der Moderne,
Salzburg; 2008: New London School (curated by Zavier Ellis & Simon
Rumley), Mark Moore Gallery, Los Angeles; 2006: New London Kicks, Wooster
Projects, New York; 2005: Fuckin’ Brilliant, Tokyo Wonder Site, Tokyo; Art
News, Raid Projects, Los Angeles; 2004: Forest, Rockwell Gallery, London;
2003: Chockafukingblocked, Jeffery Charles Gallery, London; 2002:
Yesteryearnowadays, Hales Gallery, London
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Collections
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Jerry Hall, London; Peter
Nobel, Zurich; Kenny Schachter, London; Steve Shane, New York; Bill Wyman,
London; Wooster Projects, New York; private collections in China, Germany, United
Kingdom & United States
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de Bree, Harold 'Koning Willem II', 2012 Mixed media
Heinke, Florian 'War Loves Us 1', 2013 Acrylic on untreated cotton 100x80cm
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